Following the drastic increase of elderly population, Parkinson's disease has become the second-fastest growing disease after dementia. Parkinson's disease is a chronic degenerative disorder of the cranial nerve system caused by the lack of dopamine, which controls body movement. The disease is a physical impediment that affects daily life of patients and it may progress to dementia. At present, Parkinson's disease cannot be completely cured and the patients depend on medical remedy, surgical therapy, and physiotherapy. However, the existing medical treatment has produced several side effects. As a result, movement therapy, which relieves physical disorder and restricts the progress of the disease without causing side effects, is receiving increased amount of attention these days. This study focused on the movement therapy program aimed at the improvement of physical impediment caused by the symptoms of Parkinson's disease and analyzed the existing domestic and international studies. The purpose of this study was to highlight the importance of the movement therapy for the Parkinson's disease and propose efficient methodology. This paper also introduces efficient and practical movement therapy programs that can be easily applied in clinics. The literature review on the application cases of the movement therapy program for patients with Parkinson's disease proved that Feldenkrais method was the most efficient method of relieving physical impediment among early-stage patients. Clinical studies have already proved multilateral movement therapy effects of the Feldenkrais method in diverse fields. This study introduced Feldenkrais method as a prevention and treatment scheme of the Parkinson's disease and proposed the potential design of the movement therapy program based on the Feldenkrais method.

This study aimed to find the somatic movement principles inherent in KoukSunDo by analyzing systematically personal experiences, which KoukSundo training methods had treated at the individual level with a focus on self-awareness and self-feeling only on self-awareness and self-feeling at the individual level through the body and mind training methods of KoukSunDo and the somatic materialization(embodiment) processes based on the "BRACED," which is the fundamental principle of somatic movements. Conducting a research on the training of KoukSunDo according to this principle of somatic movements will be significant to establish the practices of KoukSunDo as an academic area and thus increase their values.

The study analyzed the Naegijeonsinhaeng method in the training stages of KoukSunDo to analyze the principles of somatic movements inherent in it. These principles include the Breathe principle inherent in Danjeon Breathing; the Relax principle inherent in Simpyeonghwagi as a peaceful state of mind; the Align, Connect principle connecting the mind and harmonizing the mind and the body through the alignment of the body; the Expect principle sending energy to each and every Jangbu; and the Dance principle moving like a big crane dancing leisurely. These findings suggest that the principles of somatic movements are inherent in the movements of KoukSunDo, which is a unique body and mind training method to the Korean people.

The findings of the study will contribute to the wide spread of body and mind training methods of KoukSunDo unique to the Korean people as somatic practice around the world like yoga and qigong.

This paper presents an experimental discussion that examines previous literature and controversial discourses on dance history of Korea in order to suggest new ways of writing dance history. The dance history texts of the premodern time of dance history are mainly written by An Hwak, Kim Jaecheol, and Seong Gyeongrin after the Japanese rule. Most of these texts are restricted to introduce court dances in the literature due to the limited number of surviving materials. I suggest that dance history of premodern Korea would be discussed with more variety and depth if social and cultural perspectives are adopted. There are various discussions developed about the descriptions of modern dance history, however there is room for improvement in regards to the poor perceptions of the independent starting point of modern times and the concept of modernity. If the descriptions of dance history in Korea achieve expandability by embracing different genres and various literary methodologies as well as syntactic descriptions, the scope of awareness will broaden further for dance studies.