The Journal of Society for Dance Documentation & History

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Asian Dance Journal

A Study of the Dance Work Concept

무용작품 「Concept」에 관한 연구 데페이즈망을 중심으로+

Shin Sook-kyoung 신숙경

DOI:https://doi.org/10.26861/sddh.2024.73.67

Asian Dance Journal
Vol.73 pp.67-99

Abstract
A Study of the Dance Work Concept ×


This study analyzes the dance work “Concept” and how its creative process -- how it was planned, choreographed, and performed by the researcher. It examines how the core theme ”Concept” was expressed throughout the stages of composing, choreographing, and performing, and how the ‘dépaysement’ technique was utilized. “Concept” is both the subject and title of the work, while dépaysement is used to choreograph movements. The study investigates how surrealist expressive characteristics, thought processes, work intentions, and the dépaysement technique were reflected in each creation stage, using a practice-based research method. Results showed that in section 1, ‘The Layers of Memory,’ ‘isolation,’ ‘paradox,’ and ‘image as a visual form’ were used to create an optical illusion of dancer's movements. Section 2, ‘the Texture of Mind’, used ‘polarity of concept,’ ‘transformation,’ and ‘synthesis’ to show transformation according to changes in the movements. Section 3, ‘The Distance of the Street’, used ‘change in size’ and ‘a chance of an accidental meeting’ to achieve a harmonious combination of the object and the dancer. It is hoped that this article will inspire choreographers seeking new methods to develop their dances.


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A Study on the Aesthetics of New Dance Art by Wu XiaoBang

우샤오팡(吳曉邦)의 신무용예술(新舞蹈藝術) 미학사상에 관한 연구

Zhang, Jian 장건

DOI:https://doi.org/10.26861/sddh.2022.65.123

Asian Dance Journal
Vol.65 pp.123-144

Abstract
A Study on the Aesthetics of New Dance Art by Wu XiaoBang ×


Wu XiaoBang new dance art aesthetic thought is examined in this paper in order to shed light on the significance of revolution and progress. XiaoBang critically adapted both western romantic ballet and German expressionist dance, and developed the essence of Chinese classical culture. He proposed a new dance art in accordance with aesthetic in the new era of China. Based on a literature review, this study analyzed the aesthetic thought of new dance art from four aspects: dance performance, dance creation, dance education and dance theory. Research papers on new dance art, one-line books and critical essays are used to analyze the development history of modern dance in China and to understand the formation and development of new dance art. In summarizing Wu XiaoBang formation and development of new dance art aesthetics, this research makes a significant contribution to the development of dance discipline and training principles.


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