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Reevaluating the Dance Activities of Choi Seung-hee as Korea’s Realist Dancer +
한국 리얼리즘 무용가로서 최승희 활동의 재평가 +
DOI:https://doi.org/10.26861/sddh.2021.63.145Asian Dance Journal
Vol.63
pp.145-168
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The Asiatic Patronage Environment of the Choi Seung-hee Dance
최승희춤의 아시아적 후원환경론
DOI:10.26861/sddh.2014.35.263Asian Dance Journal
Vol.35
pp.263-282
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An Aspect of Dancing Transformation in the Late Japanese Occupation of Korea : Focus on Government-manufactured Dance
일제강점 말기 무용 활동과 그 변화 양상 : 무용의 관제화 경향을 중심으로
DOI:10.26861/sddh.2015.38.75Asian Dance Journal
Vol.38
pp.75-98
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A Study of Choi Seung-hee throughthe Perspective of Globalism
글로컬리즘의 시각에서 바라본 최승희
DOI:10.26861/sddh.2017.44.9Asian Dance Journal
Vol.44
pp.9-26
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Identity, Language, and Revelation : View on Characteristics of Choi Seung-hee’s dance
신분 언어 계시 : 최승희의 무용실체특징 시론
DOI:10.26861/sddh.2017.44.27Asian Dance Journal
Vol.44
pp.27-64
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Historical Development and Context of Sanjo Dance
산조춤의 역사적 전개와 맥락
DOI:10.26861/sddh.2020.58.97Asian Dance Journal
Vol.58
pp.97-127
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A Study on the Choi Seung-hee’s National Dance Studio’s Concert Tour of the USSR in the 1956-57 and the Glocality of the Dance Works
1956-57년 국립 최승희 무용연구소의 소련 순회공연과 공연작품들의 글로컬리티 연구
DOI:https://doi.org/10.26861/sddh.2021.60.213Asian Dance Journal
Vol.60
pp.213-242
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