This study aims to explore the potential development of Jeonju Daesaseupnori by analyzing the recently popularized reality survival competition programs. The research focuses on identifying strategies that could enhance the popular appeal of Jeonju Daesaseupnori while preserving its traditional artistic values, through a literature review and analysis of previous studies. The results suggest applying key elements of survival competition programs, such as competitive narratives and public participation, to Jeonju Daesaseupnori. Specifically, this includes fostering fandom culture centered around expert listeners (Gwi-myeongchang), expanding opportunities for public participation in competitions, and introducing competitive storytelling systems to create new content. This approach is significant in that it explores ways for Jeonju Daesaseupnori to gain wider public support and further grow as a prominent K-content.

This study emphasizes action needed to promote the sustainability of Sanjo dance through its popularization and dissemination. Therefore, the objective of this research is to analyze trends in Sanjo dance research using keyword network analysis. The final materials utilized in the study consist of 39 research articles and 59 key terms. Based on the analysis of the content of these articles and the key terms, the research trends in Sanjo dance can be summarized as follows: first, studies on the external aspects such as the structure, content, and function of Sanjo dance; second, diversified historical research on specific individuals related to Sanjo dance; third, expanded research on the artistic and intrinsic values of Sanjo dance; and fourth, studies on the expansion of the content and form of Sanjo dance. Although the quantitative scale of Sanjo dance research is limited, the development of research shows a progressively effective pattern. Therefore, future studies should diversely focus on innovative research regarding transmission methodologies and educational curriculums.

This study critically approaches the “Research-Based Content” series of the Society for Dance Documentation & History, which explores the historical, morphological, and artistic meaning and value of dance through research in the reconstruction of traditional and new dances, the art dances of the modern era. This research is based on expert interviews and opinions of critics. First, it allows for a flexible reconfiguration and recreation of dance beyond the boundaries of tradition. Second, it enables the documentation of the process and results, providing a formal record. Third, through the exchange between dance and theory, as well as dance and other fields, it offers an i nclusive e xperience. F ourth, i t allows f or t he p ursuit of n ew p erformance f orms beyond traditional and contemporary dance through editing and adaptation in compilation performances.Copyright issues, mutual interests, research adaptation, and time-consuming are among the things to consider.

The purpose of this study is to investigate the value and effect of Myeongjakmu as cultural contents and to study development measures for revitalization. A total of eleven experts, including eight original performers and successors of Myeongjakmu and three dance performance planners and administrators, were interviewed in both unstructured and semi-structured ways. Based on the data collected from the interviews with these experts, two areas of Myeongjakmu – its creative values and its ripple effects – emerged to serve as cultural contents. Music, dance moves, costumes, and props were categorized into the creative value area, while popularization, consensus formation, and accessibility were classified into the area of ripple effects. In this article we propose four development plans to revitalize Myeongjakmu based on the experts opinions. Establishing the status of Myeongjakmu, policy support, deepening expertise, and securing sustainability. These actions will increase the value of the disappearing Korean dance cultural heritage as a systematic study for future Myeongjakmu, and contribute to the establishment of related knowledge systems and basic composition of transfer materials.

The purpose of this study is to shed light on the artistry of choreographed by Kim, Baek-Bong from the view of ‘artistic beauty’ of G. W. F. Hegel. Since the first performance in 1959 at Won Kak Sa, has been transmitted and performed by her students. It has been performed for 6 minutes and 30 minutes; the order of compositions of the music for this performance is Jungmori in 10 beat, Jungjungmori in 12 beat, Jajinmori in 14 beat, and Hwimori in 70 beat; it starts with a slow tempo and gradually develops to a fast tempo. According to Hegel, ‘content’ and ‘form’ are the material components actualizing the art in the real world. The ‘content’, the expression of artist’s identity, consists of ‘Phantasie’, ‘Begeisterung’, and ‘Talent’, and the ‘form’, the method for logical expression of content’ consist of ‘Manier’, ‘Stil’, and ‘Originalität’. The content of is appeared through the creative imagination by natural subjects, snow crystal and cocoon, the inspiration consisting of internal motive, large flakes, and external motive, the necessity of designing a new work, and the unique capability(genius) for choreographing a group dance such as the number and positions of dancers and structural changes by musical and spatial compositions. The form of is appeared by the changes in linear form. The straight lines and curves in the work reveal the traditional patterns of group dances. Those lines secure the external formality through regularity, symmetry, and generality. Also, the uniqueness of is shown by the critical essays good at integrating and proposing the identity and characteristics of the work displayed at the title of this study. This study assures that is not only a performing art with good aesthetic content and form for artistic beauty but also a piece of art with educational value, as well as discovers the spirit of artist deep under its external splendor.

This study is the first step to build electric culture map in advanced form with the topic of korea intangible cultural heritage dances. It aims to search for design methods for electric culture knowledge map. In order to achieve the objectives of the study, the present status of electric cultural knowledge map design methods was researched. After identifying the problems and systems of cultural heritage from Cultural Heritage Administration, the directions of electric cultural knowledge map design were suggested. As a result of study, the electric cultural map attracted interest and attention from domestic academic circle since ECAI started in 1996. And then it has expanded to humanities, geography, history, folklore, etc. Accordingly, the development of useful electronic cultural map was required as a new form of dance history and research tools in the field of dance. Second, as a result of reviewing the cultural heritage map from Cultural Heritage Administration, the cultural heritage map reached the current advanced level by building nation-designated cultural heritage information with electric cultural map over about 10 years since 2002. It also provides with movies, photos, monographs, etc. visually. However, the vast amount of troubles was found from search index, types of cultural heritage, location expression, distribution, information error, etc. They are the errors which occurred in the middle of building and classifying a great deal of data. Classifying system of easy search and multi-functionality was required. Third, the korea intangible cultural heritage suggested as problem recognition, electric cultural knowledge map of dance targeted only intangible cultural heritage dance to improve information provision. Linking to professional academic information like paper, it provides integrated professional knowledge, which is a dynamic content. Therefore, according to designed system, area classification and input guidelines were suggested as examples. Virtual map was realized to identify the potential to build electric cultural knowledge map of dance.

There are 111 main conveniences that Korean dance has in common with history research areas. Both could be categorized as age, ryupa, kind, local, and life of five. This study analyzed Korean dance history in order to provide direction for the development of localized educational content. For this purpose, we redefined the needs and professional structure of the writers of Korean dance history around the cheotjae, or the contemporary Officer. The other purposes of this study were to ensure the clarity of the Korean dance category and to express the needs of the Korean council of dance-related institutions and organizations. Prior to the development of the orientation of the educational content, the universality, consistency, and originality of Korean dance would need to be combined. This would construct a systematic framework for the educational contents of the Korean traditional dance historical research.

Based on Pierre Bourdieu's theory of the field of cultural production, this paper focuses on historicity in the field of ballet in Korean Society. Using quantitative content analysis of major daily newspapers, this paper intends to examine the composition of artists' occupational groups and professional ballet careers, as a measure of autonomy in the field of ballet in Korean society. This study found that 1) since the 1980s, choreographers of ballet have attracted more attention than artists in other genres, and 2) while educational capitals is still a strong element, the autonomous hierarchy of a professional ballet career is emerging in the field of ballet in Korean society. In conclusion, it may be said that the field of ballet Korean society has strengthened in autonomy.

The purpose of this study is to suggest the direction of disability dance education by analyzing disability dance education research trends. Among the papers related to disability dance education registered in the Korea Education Research Information Service, 46 papers published, which were published from 2010 to October 2019 were examined, through content analysis and keywords analysis. As a result, the research scope has been expanded to the emotional, physical, and social adaptation targets for people with intellectual disabilities, and a number of studies on the use of dance for the purpose of physical rehabilitation while related keywords have been found. Therefore, it is necessary to convert the social members' awareness of the disabled arts through the disability dance education, and it is urgent to develop a dance arts education program considering the characteristics and degree of disabilities and to train professionals in the arts of disabilities. This study suggests a professional educational institution that educates the disabled to become professional dance artists.

The purpose of this study was to analyze the current state of studies related to perfectionism in the field of domestic dance and to discuss the direction of future research. The research was conducted by searching the academic search sites such as RISS and KISS, and a total of 69 studies on perfectionism were analyzed in terms of the publishing institution, publication year, research subjects, research methods, concept of perfectionism, variables related to research subject. Content analysis and frequency analysis were used as analysis methods, and the following results were obtained. First, theses and dissertations were conducted in 16 universities in total, and the journals were published in 17 journals. Second, the researches of perfectionism have been steadily studied since the 2000s. Third, Most of the studies conducted on the students of higher education courses majoring in dance. Fourth, Most of the studies were quantitative researches, so it seems necessary to carry out various research methods and research designs. Fifth, Most of the studies used the multidimensional concept of perfectionism and suggested the necessity of research on the development of scales for the domestic dance majors. Sixth, as a result of analyzing the trend of research based on the variables related to the theme, the most of independent variables were personality variables, the most of mediator variables were coping and moderating behavior variables, and the most of dependent variables were positive emotional variables. According to the results, research tasks were suggested an academic effort to try various research topics and subjects, research methods, and research designs by expanding the biased research area. It also implies that research should be activated through a creative approach and an in-depth understanding of the propensity of perfectionism.