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Creating and Performing the Ecological Art Piece
생태예술 창작공연 사례 : 「순천 새꽃춤: 흑두루미가 꽃을 만나다」
DOI:https://doi.org/10.26861/sddh.2022.64.111Asian Dance Journal
Vol.64
pp.111-131
This study explored the case of creating and performing “Suncheon Bird Flower Dance: Hooded Crane Meets Flower” by adapting the story of a hooded crane in Suncheon. The researchers obtained the following results by collecting and qualitatively analyzing choreography notes, photos, videos, memos, dialogues and performance pamphlets from August to November 2021. First, from the point of view of ecological art, we carried out choreography work for flower dance and hooded crane gestures based on sympathetic movements. Second, it revealed the convergent aspects of performance characteristics especially by using the photos of the hooded cranes in accordance with the live music performance for the scenery of Suncheon Bay and adopting a tea ceremony performance. Third, to implement the proposed creative crane dance, this case showed the transformation process of traditional Hakyeonhwadaemu in the scenes where the hooded crane meets and hangs out with a flower girl (woman) who is blooming and becoming a lotus flower.
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Exploring Features of Hooded Crane Dance Performed in Nantes and Suncheon
생태환경을 주제로 다룬 흑두루미춤 퍼포먼스의 특징 탐구: 낭트-순천 공연 중심으로
DOI:https://doi.org/10.26861/sddh.2021.61.3Asian Dance Journal
Vol.61
pp.3-26
This study explores a case of hooded crane dance performance that deals with the ecological environmental characteristics. In addition to choreographing movements and gestures, the subject of hooded crane performance was featured with theatrical dialogues. The data collection included choreography notes, photos, videos, memos, dialogues, and performance pamphlets collected twice in Nantes and Suncheon city between May and August 2019. The qualitative analysis of the data were presented in the following ways.
First, by reinterpreting the story of the wounded hooded crane (Doori) found in Suncheon the performance expressed the ecological life and adversity of the hooded crane from the opposing viewpoints between the ecological environment and humans. Second, the reactions of spectators suggested that the hooded crane dancing performance turned out to make them feel more interested in nature and ecology. Third, due to the real story of Doori, the performance played a role in reminding the meaning of the performance (i.e., ecological sensibility) while the locals appreciated the story in a friendly way. This study indicated the parts to be supplemented in future performances and expandability by attempting performances in the ecological environment of Suncheon Bay (tidal flats, etc.).
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