This study examines the evolution of modern dance culture amidst the historical tribulations of the colonial era by analyzing dance photographs published in 1920s newspapers. Utilizing a literature review methodology, the research analyzes 317 photographs from Maeil Sinbo (154), Joseon Ilbo [Chosun Ilbo] (93), and Dong-a Ilbo (70). The analysis revealed three key findings. First, the photographs visually corroborate the heteronomous nature of dance culture under colonial rule. Second, they demonstrate the systematic assimilation of Japanese dance into colonial Korea. These images expose an imperialist agenda designed to manage and mobilize the colonized population under the pretext of artistic exchange. Third, despite such oppression, the photographs capture the emergence of a modern and subjective dance culture. This study holds significant value by providing a comprehensive pictorial understanding of the performing arts landscape during the Japanese occupation through the lens of newspaper photography. By re-evaluating these visual archives, the research illuminates the complex interplay between colonial hegemony and the pursuit of modern cultural identity in 1920s Korea.

One modern dancer at the forefront of the art is SongBeom. Numerous studies have considered his life and work activities. However, an error exists, citing incorrect records. This research reconsiders the records of newspaper news organizations working on the agencies. SongBeom was established in the National Dance Company and played a major role in the 1962 writing style. Meanwhile, he demonstrated creative experimentation in Korean dance, helping to create a new framework. Paper records show that he entered the world of dance as an opportunity during a decisive time. He demonstrated endless enthusiasm for show. Not only can we check his newspaper records to clarify the title and year, we now can also consider his work and identify the notations. Performance on a performance advertising, unlike these days. Newspaper articles still contained some errors, but data are sound in terms of the work years. Even though he gross change in his microscopic, even if we approach Chuminsaeng can check the newspaper. It's a dance thing of a time of his activities through to become an opportunity to read the flow.