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Historicity in the Field of Ballet in Korean Society : Using Quantitative Content Analysis of Major Newspapers
부르디외 문화생산의 장이론으로 본 한국발레장의 역사성 : 1950년대 이후 신문기사의 양적 내용분석을 중심으로
DOI:10.26861/sddh.2018.51.099Asian Dance Journal
Vol.51
pp.99-123
Based on Pierre Bourdieu's theory of the field of cultural production, this paper focuses on historicity in the field of ballet in Korean Society. Using quantitative content analysis of major daily newspapers, this paper intends to examine the composition of artists' occupational groups and professional ballet careers, as a measure of autonomy in the field of ballet in Korean society. This study found that 1) since the 1980s, choreographers of ballet have attracted more attention than artists in other genres, and 2) while educational capitals is still a strong element, the autonomous hierarchy of a professional ballet career is emerging in the field of ballet in Korean society. In conclusion, it may be said that the field of ballet Korean society has strengthened in autonomy.
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