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A Study on Variations of Honam-woodo-nongak Pangut : Focused on Ethnography of Performing Text of Honam-woodo-nongak Pangut 호남 우도농악 판굿의 시대적 변이에 관한 연구 : 호남 우도농악 판굿 공연 자료를 중심으로 ×
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ISSN : 2383-5214(Print)
ISSN : 2733-4279(Online)
ISSN : 2733-4279(Online)
Asian Dance Journal Vol.34 pp.143-167
DOI : 10.26861/sddh.2014.34.143
DOI : 10.26861/sddh.2014.34.143
호남 우도농악 판굿의 시대적 변이에 관한 연구 : 호남 우도농악 판굿 공연 자료를 중심으로
A Study on Variations of Honam-woodo-nongak Pangut : Focused on Ethnography of Performing Text of Honam-woodo-nongak Pangut
Abstract
This articles is a analysis of three kinds of materials of Pangut(판굿) of Honam-woodo-nongak(호남우도농악) recorded in the 1967, 1980, 2004 on the view point of ethnography of performing text. The purpose of this article is analysing structuring of Gurree(거리) and Julcha(절차), structural differences of these three kinds of materials. The Gurrees of Pangut of Honam-woodo-nongak in the 1967 are composed of 8-units ; Nendrm-Jilgut-gurree(내드림질굿거리), Ochae-jilgut-gurree(오채질굿거리), Obangjin-gut-gurree (오방진굿거리), Hoho-gut-gurree(호호굿거리), Ilkwangnori-gurree(일광놀이거리), Kunyongnorigurree( 군영놀이거리), Dodukjaebi-gurree(도둑잽이거리), Talbok-gut-gurree(탈복굿거리). One gurree is composed of Julchas of 2-units~7-units. And the 8-units of Gurrees are composed of 27-units of Julchas. The 8-units of Gurrees are divided into two Gut-gurrees, Ab-gut and Dwit-gut on the material in the 1967. The Gurrees of Pangut Honam-woodo-nongak in the 1980 are composed of 7-units; Erim-gut-gurree(어름굿거리), Ochae-jilgut-gurree, Obangjin-gut-gurree, Noraegut-gurree(노래 굿거리), Gujung-nori-gurree(구정놀이거리), Hoho-gut-gurree(호호굿거리), Talbok-gut-gurree. We can find eliminating of Dodukjaebi-gurree, reducing of many kinds of Julchas of part of Dwitgut on the material in the 1980. The Pangut of Honam-woodo-nong-ak in the 2004 are composed of 3-units ; Ibjang-gut(입 장굿), Madang-gut(마당굿), Teujang-gut(퇴장굿). Ibjang-gut is composed of Naedrm-gutgurree, Insa-gut-gurree. Madang-gut is composed of 7-units, seven kinds of Madangs; first-madang(Ochae-jilgut-gurree), second-madang(Obangjin-gut-gurree), third-madang(Poongnyngut- gurree), forth-madang(Dumachi-gut-gurree), fifth-madang(Hoho-gut-gurree), sixth-madang (Ilkwang-nori-gurree, Dodukjaebi-gurree), seventh-madang(Gaein-nori-gut-gurree). Teujang-gut is composed of Teujang-gut-gurree. There are many kinds of variations on Pangut of Honam-woodo-nongak in the 2004; Pangut divided into 3-units, beginning-middles-ending. the middles divided into 7-units, 7-Madangs, each Madang is composed of one or two Gurree. The song of Norae-gut-gurree changed from Wurlsenga into Nongbuga. Dumachi-gut-gurree is added to Pangut. Ilkwang-nori-gurree and Dodukjaebi-gurree are integrated to one unit, sixth-madang. Gaein-nori-gut-gurree is located in ending part of the middles. And there are some kinds of variation; change of position of each Gurree, change of ending method, change of structure of Jangdan. These kinds of variations on the Honam-woodo-nongak in the 2004 reflect modern style of western performing arts in Korean Poongmulgut/Nonak, especially Honam-woodo-nongak.