The Journal of Society for Dance Documentation & History

pISSN: 2383-5214 /eISSN: 2733-4279

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The Dance Appreciation of the Chinese Envoys in the Late Joseon Dynasty 조선시대 중국 사신의 춤 향유 ×
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ISSN : 2383-5214(Print)
ISSN : 2733-4279(Online)
Asian Dance Journal Vol.35 pp.169-195
DOI : 10.26861/sddh.2014.35.169

조선시대 중국 사신의 춤 향유

The Dance Appreciation of the Chinese Envoys in the Late Joseon Dynasty

조경아

Cho, Kyunga

Abstract

This study starts from the question of what kind of dance had been appreciated by Chinese envoys. The major spots where Chinese envoys visit are Uiju-Jeongju-Anju-Pyeongyang-Hwangju- Gaeseong and there are banquets for Chinese envoys, with female professional entertainer, called as gisaeng’ s dance performance. According to Joseonbu朝鮮賦, solmu率舞 which is a type of group dance was performed in Pyeongyang and Hwangju. Dance was included even in various amusements. And it was intended to show the very peaceful time to Chinese envoys through performing dance and song by gisaeng at han river. Also small scale dance was performed in Chinese envoy's personal space. The dance which was enjoyed by China Ming envoy in court banquets for Chinese envoys is , court dance called as jeongjae(呈才). The number of gisaeng who entertained Chinese envoys was forty, during the reign of king of Sejong. The number of dances which has been enjoyed by the Qing dynasty envoys is smaller than what has been enjoyed by the Ming dynasty envoys. The number of parties and dance performances for Qing envoys in local is also smaller than Ming dynasty envoy's case. The Qing dynasty envoys appreciated jeongjae which was performed by dancing boys as called mudong in the court. According to diplomatic records in 1720, as called Tongmunganji, those were etc.

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