The purpose of this study is to identify the implications of Jing dance in individual performance of Honam Woodo Nong-ak Pangut which faces the crisis of the tradition preservation through the analysis of socio-cultural context and structure. To be concrete, it specifically explores Jing dance in the style of Park Ok-joo which is derived from Honam Woodo Nong-ak and attempts to understand the inherent implications of Jing dance. Therefore, this study tries to deduce the inherent implications of Jing dance by exploring the life of Park Ok-joo, the socio-historical backgrounds of Jing dance in the style of Park Ok-joo, and the components of Jing dance in the style of Park Ok-joo. The results are as follows. First of all, Jing dance in the style of Park Ok-joo was transformed from the masculine dance which had passed down from old time to the feminine dance. Secondly, it is the technical dance to expand the boundary of stick-stroke. Thirdly, it is the dance of Nanjang (reckless beating) to elicit catharsis. Fourthly, it is the dance of extemporization consist of insertion and competition. Based on the implications stated above, this study provides general basic materials to inspire the attention for Jing dance which has been unremembered for a long time in order to let the legacy continue. It is expected that this study can make an opportunity or opening the new horizon of investigating Jing dance and promoting multifarious follow-up studies as well.