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Aspects of Homu(胡舞) and Daegokakmu(大曲樂舞) shown in Bai Ju Yi(白居易)’s poems(詩) 백거이(白居易) 시(詩)에서 나타나는 호무(胡舞)와 대곡악무(大曲樂舞) 양상 ×
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ISSN : 2383-5214(Print)
ISSN : 2733-4279(Online)
ISSN : 2733-4279(Online)
Asian Dance Journal Vol.45 pp.131-148
DOI : 10.26861/sddh.2017.45.131
DOI : 10.26861/sddh.2017.45.131
백거이(白居易) 시(詩)에서 나타나는 호무(胡舞)와 대곡악무(大曲樂舞) 양상
Aspects of Homu(胡舞) and Daegokakmu(大曲樂舞) shown in Bai Ju Yi(白居易)’s poems(詩)
Abstract
This study placed importance on being able to track aspects and characteristics of the dances which were popular in the Tang age (唐代) by examining the aspects of several Homu (胡舞) and Daegokakmu(大曲樂舞) shown in Bai Ju Yi (白居易)'s poems(詩). ≪Homu≫ appeared in the poetry and prose described , , and , while ≪Daegok≫ did and with details. ≪Daegok≫ was the dance that was restructured to add more grandeur and beauty. Bai Ju Yi changed ≪Daegok≫ to descriptive poems to make readers understand the organic relationship between its major historical background and figures. In this sense, the dance of the love between Emperor Xuanzong of Tang and Yang in Xi'an and the Emperor Dézōng of Táng (德宗)'s dances about beautiful music were all related to ≪Daegok≫. Thus, ≪Homu≫ and ≪Daegok≫ reviewed in Bai Ju Yi's poems can be found to be related to the foreign dances that were popular in the Tang age, the creative dances based on the traditional songs and dances, and historicity.
백거이(白居易) 시(詩), 서역(西域)춤, 호무(胡舞), 대곡악무(大曲樂舞), 당대(唐代) 악무(樂舞), Bai Ju Yi(白居易), poems(詩), Dances from the Western regions(西域), Homu(胡舞), Daegokakmu (大曲樂舞), Songs and dances in the Tang age(唐代)
