Journal Detail
Export Citation
Download PDF
PMC Previewer
춤, 대중문화로서 시국을 춤추다! -1980-90년대 대학가를 중심으로 - ×
- EndNote
- RefWorks
- Scholar's Aid
- BibTeX
ISSN : 2383-5214(Print)
ISSN : 2733-4279(Online)
ISSN : 2733-4279(Online)
Asian Dance Journal Vol.51 pp.29-47
DOI : 10.26861/sddh.2018.51.029
DOI : 10.26861/sddh.2018.51.029
춤, 대중문화로서 시국을 춤추다! -1980-90년대 대학가를 중심으로 -
Abstract
The purpose of this study is to investigate the origin, types, and characteristics of dancing in the colleges rally scene before and after the democratization uprising in 1987. As its methodology, this research investigates previous researches, related data, and conducted interviews with related as well as reflecting on my own experience. As a result, the creative Talchoom movement that took place in the 1980s has developed into the dance and pungmool that was at the center of the artistic means to grasp the ideological and simultaneous will of the young students. In the rallies and demonstrations of the 80s and 90s, there were arts propaganda group in each university'. These dances with easy and simple movements were enjoyed by many and was used as a medium to express the will and spirit of youth. The dance was expressed collectively as the structure of cohesion and eruption type, and the four-beat dance made it easy for everyone to share with one another, and flag dance was often used as an inflammatory device. The dances of the university in the 80s and 90s was based on amateurism and functioned as a social activist dance that expressed the will to resist.
대학탈패, 시국춤, 집단무, 4박자춤, 아마추어,Talpae of university, Group dance, Nationality dance, Four-beat dance, Amateur